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April 2021: All of Yesterday's Tomorrows

Pachinko

Min Jin Lee

Koreans in Japan, generational trauma

Historical Fiction. In the early 1900s, teenaged Sunja, the adored daughter of a crippled fisherman, falls for a wealthy stranger at the seashore near her home in Korea. He promises her the world, but when she discovers she is pregnant—and that her lover is married—she refuses to be bought. Instead, she accepts an offer of marriage from a gentle, sickly minister passing through on his way to Japan. But her decision to abandon her home, and to reject her son’s powerful father, sets off a dramatic saga that will echo down through the generations. Richly told and profoundly moving, Pachinko is a story of love, sacrifice, ambition, and loyalty. From bustling street markets to the halls of Japan’s finest universities to the pachinko parlors of the criminal underworld, Lee’s complex and passionate characters—strong, stubborn women, devoted sisters and sons, fathers shaken by moral crisis—survive and thrive against the indifferent arc of history.

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Pachinko

Iron Goddess of Mercy

Larissa Lai

Chinese diaspora, postcolonialism

Poetry. Presented in sixty-four fragments to honour the sixty-four hexagrams of the I Ching, Iron Goddess of Mercy is a long poem that captures the vengeful yet hopeful movement of the Furies mid-whirl and dances with them through the horror of the long now. Inspired by the tumultuous history of Hong Kong, from the Japanese and British occupations to the ongoing pro-democracy protests, the poem interrogates the complicated notion of identity, offering a prism through which the term ‘Asian’ can be understood to make sense of a complex set of relations. A balm to the poem’s devastating passion and fury, Iron Goddess of Mercy is also a type of oolong tea, a most fragrant infusion said to have been a gift from the compassionate bodhisattva Guan Yin. Summoning the ghosts of history and politics, Iron Goddess of Mercy explores the complexities of identity through the lens of rage and empowerment.

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Iron Goddess of Mercy

The Weight of Our Sky

Hanna Alkaf

Malaysian Chinese, mental illness

YA. Historical Fiction. Melati Ahmad looks like your typical moviegoing, Beatles-obsessed sixteen-year-old. Unlike most other sixteen-year-olds though, Mel also believes that she harbors a djinn inside her, one who threatens her with horrific images of her mother’s death unless she adheres to an elaborate ritual of counting and tapping to keep him satisfied. But there are things that Melati can’t protect her mother from. On the evening of May 13th, 1969, racial tensions in her home city of Kuala Lumpur boil over. The Chinese and Malays are at war, and Mel and her mother become separated by a city in flames. With a 24-hour curfew in place and all lines of communication down, it will take the help of a Chinese boy named Vincent and all of the courage and grit in Melati’s arsenal to overcome the violence on the streets, her own prejudices, and her djinn’s surging power to make it back to the one person she can’t risk losing.

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The Weight of Our Sky

How to Write an Autobiographical Novel

Alexander Chee

LGBTQ+, multiracial identity, Asian American

Memoir. Essays. How to Write an Autobiographical Novel is the author’s manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation’s history, including his father’s death, the AIDS crisis, 9/11, the jobs that supported his writing—Tarot-reading, bookselling, cater-waiting for William F. Buckley—the writing of his first novel, Edinburgh, and the election of Donald Trump. By turns commanding, heartbreaking, and wry, How to Write an Autobiographical Novel asks questions about how we create ourselves in life and in art, and how to fight when our dearest truths are under attack.

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How to Write an Autobiographical Novel

Featured Creations

"Yeet Hay" stickers by Brenda Chi

Singaporean & Malaysian food postcards by Lauren Monaco

Korean | American — Kimchi Story Zine by Porkbelly Comics

March 2021: Finding Your Place

Darius the Great is Not Okay

Adib Khorram

Iran, LGBTQ+, returning in diaspora

YA. Darius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He’s about to take his first-ever trip to Iran, and it’s pretty overwhelming—especially when he’s also dealing with clinical depression, a disapproving dad, and a chronically anemic social life. In Iran, he gets to know his ailing but still formidable grandfather, his loving grandmother, and the rest of his mom’s family for the first time. And he meets Sohrab, the boy next door who changes everything. Sohrab calls him Darioush—the original Persian version of his name—and Darius has never felt more like himself than he does now that he’s Darioush to Sohrab. When it’s time to go home to America, he’ll have to find a way to be Darioush on his own.

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Darius the Great is Not Okay

I’m Telling the Truth, But I’m Lying

Bassey Ikpi

mental illness, Black womanhood, relationships

Memoir. Essays. Bassey Ikpi was born in Nigeria in 1976. Four years later, she and her mother joined her father in Stillwater, Oklahoma —a move that would be anxiety ridden for any child, but especially for Bassey. Her early years in America would come to be defined by tension: an assimilation further complicated by bipolar II and anxiety that would go undiagnosed for decades. By the time she was in her early twenties, Bassey was a spoken word artist and traveling with HBO’s Russell Simmons Def Poetry Jam, channeling her experiences into art. But something wasn’t right—beneath the façade of the confident performer, Bassey’s mental health was in a precipitous decline, culminating in a breakdown that resulted in hospitalization and a diagnosis of Bipolar II. Determined to learn from her experiences—and share them with others—Bassey became a mental health advocate and has spent the fourteen years since her diagnosis examining the ways mental health is inextricably intertwined with every facet of ourselves and our lives. Viscerally raw and honest, the result is an exploration of the stories we tell ourselves to make sense of who we are—and the ways, as honest as we try to be, each of these stories can also be a lie.

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I’m Telling the Truth, But I’m Lying

From the Ashes

Jesse Thistle

Indigenous, addition, homelessness

Memoir. From the Ashes is a remarkable memoir about hope and resilience, and a revelatory look into the life of a Métis-Cree man who refused to give up. Abandoned by his parents as a toddler, Jesse Thistle briefly found himself in the foster-care system with his two brothers, cut off from all they had known. Eventually the children landed in the home of their paternal grandparents, but their tough-love attitudes meant conflicts became commonplace. And the ghost of Jesse’s drug-addicted father haunted the halls of the house and the memories of every family member. Struggling, Jesse succumbed to a self-destructive cycle of drug and alcohol addiction and petty crime, spending more than a decade on and off the streets, often homeless. One day, he finally realized he would die unless he turned his life around. In this heartwarming and heartbreaking memoir, Jesse Thistle writes honestly and fearlessly about his painful experiences with abuse, uncovering the truth about his parents, and how he found his way back into the circle of his Indigenous culture and family through education.

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From the Ashes

Displacement

Kiku Hughes

Japanese internment, generational trauma

Graphic Novel. Kiku is on vacation in San Francisco when suddenly she finds herself displaced to the 1940s Japanese-American internment camp that her late grandmother, Ernestina, was forcibly relocated to during World War II. These displacements keep occurring until Kiku finds herself “stuck” back in time. Living alongside her young grandmother and other Japanese-American citizens in internment camps, Kiku gets the education she never received in history class. She witnesses the lives of Japanese-Americans who were denied their civil liberties and suffered greatly, but managed to cultivate community and commit acts of resistance in order to survive.

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Displacement

Featured Creations

Hand-whipped body butter by Niya Butter

Greeting cards by Self Love Tool Chest

February 2021: Black Futures Month

Afrofuturism

Ytasha L. Womack

Afrofuturism in art, mind, and media

Expository Non-Fiction. In this hip, accessible primer to the music, literature, and art of Afrofuturism, author Ytasha Womack introduces readers to the burgeoning community of artists creating Afrofuturist works, the innovators from the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas’ will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book’s topics range from the “alien” experience of blacks in America to the “wake up” cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.

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Afrofuturism

Pet

Akwaeke Emezi

abuse, trauma, LGBTQ+

YA. There are no more monsters anymore, or so the children in the city of Lucille are taught. With doting parents and a best friend named Redemption, Jam has grown up with this lesson all her life. But when she meets Pet, a creature made of horns and colours and claws, who emerges from one of her mother’s paintings and a drop of Jam’s blood, she must reconsider what she’s been told. Pet has come to hunt a monster, and the shadow of something grim lurks in Redemption’s house. Jam must fight not only to protect her best friend, but also to uncover the truth, and the answer to the question — How do you save the world from monsters if no one will admit they exist?

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Pet

Life on Mars

Tracy K. Smith

family, grief, violence

Poetry. With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like “love” and “illness” now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope.

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Life on Mars

Black Girl Unlimited

Echo Brown

magical realism, trauma, Black womanhood

YA. Echo Brown is a wizard from the East Side, where apartments are small and parents suffer addictions to the white rocks. Yet there is magic … everywhere. New portals begin to open when Echo transfers to the rich school on the West Side, and an insightful teacher becomes a pivotal mentor. Each day, Echo travels between two worlds, leaving her brothers, her friends, and a piece of herself behind on the East Side. There are dangers to leaving behind the place that made you. Echo soon realizes there is pain flowing through everyone around her, and a black veil of depression threatens to undo everything she’s worked for. Heavily autobiographical and infused with magical realism, Black Girl Unlimited fearlessly explores the intersections of poverty, sexual violence, depression, racism, and sexism—all through the arc of a transcendent coming-of-age.

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Black Girl Unlimited

Rosewater

Tade Thompson

Africanfuturism, Yoruba tradition, aliens!

Speculative Fiction/Thriller. Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry and the helpless—people eager for a glimpse inside the dome or a taste of its rumored healing powers. Kaaro is a government agent with a criminal past. He has seen inside the biodome, and doesn’t care to again—but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realization about a horrifying future.

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Rosewater

Featured Creations

Bookmarks by Ana Latese

"Do Your Research" Stickers by Two Photon Art

January 2021: Journeys & Exodus

The Way Back

Gavriel Savit

Jewish, adventure, folklore

YA. For the Jews of Eastern Europe, demons are everywhere: dancing on the rooftops in the darkness of midnight, congregating in the trees, harrowing the dead, even reaching out to try and steal away the living. But the demons have a land of their own: a Far Country peopled with the souls of the transient dead, governed by demonic dukes, barons, and earls. When the Angel of Death comes strolling through the little shtetl of Tupik one night, two young people will be sent spinning off on a journey through the Far Country. There they will make pacts with ancient demons, declare war on Death himself, and maybe– just maybe–find a way to make it back alive.

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The Way Back

A Woman Is No Man

Etaf Rum

Palestine, feminism, immigration, generational trauma

Literary Fiction. This debut novel by an Arab-American voice takes us inside the lives of conservative Arab women living in America. In Brooklyn, eighteen-year-old Deya is starting to meet with suitors. Though she doesn’t want to get married, her grandparents give her no choice. History is repeating itself: Deya’s mother, Isra, also had no choice when she left Palestine as a teenager to marry Adam. Though Deya was raised to believe her parents died in a car accident, a secret note from a mysterious, yet familiar-looking woman makes Deya question everything she was told about her past. As the narrative alternates between the lives of Deya and Isra, she begins to understand the dark, complex secrets behind her community.

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A Woman Is No Man

Cardinal

Tyree Daye

masculinity, Blackness, American South

Poetry. Tyree Daye’s Cardinal is a generous atlas that serves as a poetic “Green Book”– the travel-cum-survival guide for black motorists negotiating racist America in the mid-twentieth century. Interspersed with images of Daye’s family and upbringing, which have been deliberately blurred, it also serves as an imperfect family album. Cardinal traces the South’s burdened interiors and the interiors of a black male protagonist attempting to navigate his many departures and returns home – a place that could both lovingly rear him and coolly annihilate him. With the language of elegy and praise, intoning regional dialect and a deliberately disruptive cadence, Daye carries the voices of ancestors and blues poets, while stretching the established zones of the black American vernacular.

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Cardinal

The Hundred Year Walk

Dawn Anahid MacKeen

Armenian genocide, memory/erasure, resilience

Memoir. Literary Non-Fiction. The Hundred-Year Walk alternates between Stepan Miskjian’s saga and another journey that takes place a century later, after his family discovers his long-lost journals. Reading this rare firsthand account, his granddaughter Dawn MacKeen finds herself first drawn into the colorful bazaars before the war and then into the horrors Stepan later endured. Inspired to retrace his steps, she sets out alone to Turkey and Syria, shadowing her resourceful, resilient grandfather across a landscape still rife with tension. With his journals guiding her, she grows ever closer to the man she barely knew as a child. Their shared story is a testament to family, to home, and to the power of the human spirit to transcend the barriers of religion, ethnicity, and even time itself.

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The Hundred Year Walk

Border Lines: Poems of Migration

ed. Michael Waters

migration, displacement, refugees

Poetry. Anthology. Border Lines brings together more than a hundred poets representing more than sixty nationalities, including Mahmoud Darwish, Czeslaw Milosz, Aimee Nezhukumatathil, Ruth Padel, Warsan Shire, Derek Walcott, and Ocean Vuong. Their poems offer moving stories of displacement and new beginnings in such places as France, Germany, Canada, the United Kingdom, and the United States. A monument to courage and resilience, Border Lines offers an intimate and uniquely global view of the experience of immigrants in our rapidly changing world.

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Border Lines: Poems of Migration

Featured Creations

Art prints by Wasima Farah

"Support All Undocumented Youth" Stickers by Emulsify

"Para Lxs Migrant Queers" Stickers by Rommy Torrico

December 2020: Food for Thought

Buttermilk Graffiti

Edward Lee

travel, local food

Non-Fiction. A natural-born storyteller, Lee decided to hit the road and spent two years uncovering fascinating narratives from every corner of the country. There’s a Cambodian couple in Lowell, Massachusetts, and their efforts to re-create the flavors of their lost country. A Uyghur café in New York’s Brighton Beach serves a noodle soup that seems so very familiar and yet so very exotic—one unexpected ingredient opens a window onto an entirely unique culture. A beignet from Café du Monde in New Orleans, as potent as Proust’s madeleine, inspires a narrative that tunnels through time, back to the first Creole cooks, then forward to a Korean rice-flour hoedduck and a beignet dusted with matcha. Sixteen adventures, sixteen vibrant new chapters in the great evolving story of American cuisine. And forty recipes, created by Lee, that bring these new dishes into our own kitchens.

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Buttermilk Graffiti

With the Fire on High

Elizabeth Acevedo

coming of age, LGBTQ+, family

YA. With her daughter to care for and her abuela to help support, high school senior Emoni Santiago has to make the tough decisions, and do what must be done. The one place she can let her responsibilities go is in the kitchen, where she adds a little something magical to everything she cooks, turning her food into straight-up goodness. Still, she knows she doesn’t have enough time for her school’s new culinary arts class, doesn’t have the money for the class’s trip to Spain — and shouldn’t still be dreaming of someday working in a real kitchen. But even with all the rules she has for her life — and all the rules everyone expects her to play by — once Emoni starts cooking, her only real choice is to let her talent break free.

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With the Fire on High

When I Grow Up I Want to Be a List of Further Possibilities

Chen Chen

immigrants, family, LGBTQ+

Poetry. In this ferocious and tender debut, Chen Chen investigates inherited forms of love and family–the strained relationship between a mother and son, the cost of necessary goodbyes–all from Asian American, immigrant, and queer perspectives. Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one’s own path in identity, life, and love.

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When I Grow Up I Want to Be a List of Further Possibilities

Meal

Blue Delliquanti and Soleil Ho

entomophagy, LGBTQ+

Graphic Novel. Yarrow is a young chef determined to make her mark on the cutting edge of cookery with her insect-based creations. Though her enthusiasm is infectious, it rubs some of her fellow cooks the wrong way, especially Chanda Flores, Yarrow’s personal hero and executive chef of an exciting new restaurant. Her people have been eating bugs for centuries, and she’s deeply suspicious of this newbie’s attempt to turn her traditions into the next foodie trend. While Chanda and her scrappy team of talented devotees struggle to open on time, Yarrow must win over Chanda – and Milani, the neighbor she’s been crushing on for weeks – or lose this once-in-a-lifetime opportunity to achieve her dreams.

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Meal

The Last Days of Café Leila

Donia Bijan

Iran, diaspora, generational trauma & healing

Literary Fiction. Set against the backdrop of Iran’s rich, turbulent history, this exquisite debut novel is a powerful story of food, family, and a bittersweet homecoming. When we first meet Noor, she is living in San Francisco, missing her beloved father, Zod, in Iran. Now, dragging her stubborn teenage daughter, Lily, with her, she returns to Tehran and to Café Leila, the restaurant her family has been running for three generations. Iran may have changed, but Café Leila, still run by Zod, has stayed blessedly the same — it is a refuge of laughter and solace for its makeshift family of staff and regulars. As Noor revisits her Persian childhood, she must rethink who she is: a mother, a daughter, a woman estranged from her marriage and from her life in California. And together, she and Lily get swept up in the beauty and brutality of Tehran.

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The Last Days of Café Leila

Featured Creations

Two types of tea by Sis Got Tea

Heritage popcorn by Pipcorn snacks

November 2020: Gaining Ground

Moon of the Crusted Snow

Waubgeshig Rice

Indigenous, community building, survival

Apocalyptic Fiction. With winter looming, a small northern Anishinaabe community goes dark. Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the band council and a pocket of community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow. The community leadership loses its grip on power as the visitors manipulate the tired and hungry to take control of the reserve. Tensions rise and, as the months pass, so does the death toll due to sickness and despair. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again.

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Moon of the Crusted Snow

Love After the End

ed. Joshua Whitehead

Indigiqueer, futurism

Anthology. This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories. Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through NDN time. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492.

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Love After the End

Postcolonial Love Poem

Natalie Diaz

Indigenous/NDN, lesbian

Poetry. Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages–bodies of language, land, rivers, suffering brothers, enemies, and lovers–be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.

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Postcolonial Love Poem

As Long As Grass Grows

Dina Gilio-Whitaker

Indigenous, environmental justice

Non-Fiction. Through the unique lens of “Indigenized environmental justice,” Indigenous researcher and activist Dina Gilio-Whitaker explores the fraught history of treaty violations, struggles for food and water security, and protection of sacred sites, while highlighting the important leadership of Indigenous women in this centuries-long struggle. As Long As Grass Grows gives readers an accessible history of Indigenous resistance to government and corporate incursions on their lands and offers new approaches to environmental justice activism and policy. Throughout 2016, the Standing Rock protest put a national spotlight on Indigenous activists, but it also underscored how little Americans know about the longtime historical tensions between Native peoples and the mainstream environmental movement. Ultimately, she argues, modern environmentalists must look to the history of Indigenous resistance for wisdom and inspiration in our common fight for a just and sustainable future.

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As Long As Grass Grows

A History of My Brief Body

Billy-Ray Belcourt

Indigenous/NDN, queerness

Memoir. Essays/Poetry. Billy-Ray Belcourt’s debut memoir opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile First Nation. Piece by piece, Billy-Ray’s writings invite us to unpack and explore the big and broken world he inhabits every day, in all its complexity and contradiction: a legacy of colonial violence and the joy that flourishes in spite of it; first loves and first loves lost; sexual exploration and intimacy; the act of writing as a survival instinct and a way to grieve. What emerges is not only a profound meditation on memory, gender, anger, shame, and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place. Eye-opening, intensely emotional, and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us.

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A History of My Brief Body

Featured Creations

Hand-beaded bracelets by Wotko Moon

Pin by Selina Mullen

Stickers by Olathe's Art

October 2020: Beginnings

An Unkindness of Ghosts

Rivers Solomon

LGBTQ+, Blackness

Speculative Fiction. Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She’s used to the names; she only wishes there was more truth to them. If she were truly a monster, she’d be powerful enough to tear down the walls around her until nothing remains of her world. Aster lives in the lowdeck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship’s leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster. Embroiled in a grudge with a brutal overseer, Aster learns there may be a way to improve her lot–if she’s willing to sow the seeds of civil war.

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An Unkindness of Ghosts

The Loss of All Lost Things

Amina Gautier

Loss, LGBTQ+, Blackness

Short Stories. The fifteen stories in The Loss of All Lost Things explore the unpredictable ways in which characters negotiate, experience, and manage various forms of loss. These characters lose loved ones; they lose their security and self-worth; they lose children; they lose their ability to hide and shield their emotions; they lose their reputations, their careers, their hometowns, and their life savings. Often depicting the awkward moments when characters are torn between decision and outcome, The Loss of All Lost Things focuses on moments of regret and yearning.

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The Loss of All Lost Things

A Jazz Funeral for Uncle Tom

Harmony Holiday

LGBTQ+, Blackness, Masculinity

Poetry. UNCLE TOM, AMERICA’S FAVORITE NEGRO, IS DEAD. Championing the tenderest of homicidal tendencies, a penchant for mercy killings and redemptive rites of passage, A Jazz Funeral for Uncle Tom is exactly what it announces it is, a book as dynamic and eternal event wherein a feminine voice leads her band of improvisers in a procession of joyous interrogation and forgiveness. This ritual is simultaneously a purging of any cowardly impulses in the speaker and in the culture she addresses and speaks as, and a releasing or banishing of unfit archetypes, readying the landscape for fresh forces by torching the weakest links in the prevailing mythos.

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A Jazz Funeral for Uncle Tom

Chronology

Zahra Patterson

LGBTQ+, Black womanhood, language

Essays/Literary Nonfiction. Taking as its starting point an ultimately failed attempt to translate a Sesotho short story into English, Chronology explores the spaces language occupies in relationships, colonial history, and our postcolonial past. It is a collage of images and documents, folding on words-that-follow-no-chronology, unveiling layers of meaning of queering love, friendship, death, and power. Traveling from Cape Town to the Schomburg Center in New York, Zahra Patterson’s Chronology reveals and revels in fragments of the past-personal and the present-political.

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Chronology

Featured Creations

"Angels and Cherubs" by Kam White